Sunset at Gross Glockner – Tirol – Austria
Do you ever take a shot and never manage to settle on a final edited look?
Well this happened with this shot – it’s one of 3 brackets taken at sunset with a 17mm TSe lens… so nice and sharp, oodles of data to play with…. but what to do?
First off I did a HDR blend and flattened the image out a bit…
Way too much detail in this and it looks a bit bland. But a start point to throw it into NIK plugins
So I ran them in this order:-
- DFine – noise reduction
- Pre Sharpener
- Viveza – contrast and colour
Managed to keep the shot from burning out or going black, but still not quite there yet.
I took the above and tried a mix of filters in Colour EFEX – I think there was
- Detail Extractor
- Pro Contrast
- Graduated Filter
- something else I can’t remember
So you can see we got to a darker place and reduced the colours a lot. The process introduced a fair bit of noise in the sky, so ran it through DFine again!
Had a go at taking the Viveza output through Analog EFEX this time…
Not sure it worked as well as the colour efex version. Analog is better for quirky portraits and city shots than landscapes.
Rewind – HDR EFEX
So for this one, I flattened the original RAW files, selected all 2 and exported them to HDR EFEX.
I’m not a massive fan of this plugin, it tends towards the unbelievable end of the HDR spectrum, which is no good commercially.
But for landscape… well here’s where I got to, after a while meddling. It’s definitely a powerful tool.
MINIMAL with the dark HDR RAW
So after all the detail, how about making something dark and menacing.
The dark shot had the most potential – with fleeting light, deep reds and the snow just about poking out of the gloom.
So this is the darkest of the 3 HDR shots – the shadows lowered and colours upped a little. The highlights and white clip were meddled around with in LIGHTROOM ever so slightly to get texture – and we’re done!
No photo is complete till you’ve tried shoving it through Silver EFEX. This one looked pretty good with it’s bold textures in the foreground.
Well there you go – you can throw your files through any number of filters for many effects.
It’s down to taste which is best – I like the black and white, was a bit disappointed with what Viveza gave out for a rare change.
The power of Lightroom is that you can get lost, then just “create a virtual copy” and start afresh and see where it takes you