Capturing City Life Amid Rising Parking Prices
It’s no secret that parking prices in Leeds and Manchester are climbing, compelling us to extract every ounce of value from our daytime excursions into these vibrant city centres. One of my favourite ways to do this is by capturing fleeting moments on film, preserving today’s everyday scenes as tomorrow’s valuable memories.”
The Decision: Traveling Light with a Prime Lens
Recently, after lending a hand at the wonderful CoHearantVision center, a charity for the visually and hearing impaired, I found myself with an hour to spare. Faced with the choice of hauling a full kit or traveling light, I opted for the latter. A 50mm F1.4 prime lens was my weapon of choice—small enough not to attract attention and perfect for the low light of these dark February days.
The Magic of Depth of Field
The ‘fast’ lens is not just beneficial for its low-light capabilities. It allows for stunning ‘depth of field’ effects, where your focal point is crisply defined against a beautifully blurred background, directing the viewer’s gaze precisely where you want it. This technique, though tricky as it demands quick and accurate focusing, rewards you with striking visuals where elements like ‘pagan body piercing’ signs jump right out at you.
The Art of Street Photography
With a narrow depth of field, there’s little room for error—you need to be on your toes, ready to capture life as it happens without a moment’s notice. Street photography is a numbers game; the more you shoot, the better your chances of nailing that perfect, telling moment.
Converting to Black and White
Back at the studio, these photographs often demand the timeless quality of black and white. Adding a vignette further enhances the mood, lending a touch of drama to the stark, gritty reality of a typical February day in Leeds.
A Glimpse of Leeds: A February Day
Here’s a selection of shots from last Thursday’s stroll through Leeds—raw, real, and eternally preserved.
So go on Ade, how do I improve the DOF.
I have a 50mm 1.8 slapped on the 550d ??
what do you mean by “improve”?
DOF’s one of those creative things you get the hang of with experience, if you’re shooting a landscape or building, you tend to need a very wide DOF (i.e. everything’s sharp), so shoot at F11 or F16.
If you’re shooting something where you want the background blurred, shoot wider open, F2.8 or even F1.8.
I like shooting wide for candids so you get one thing sharp and the rest is blurred :–)
Thats what I need to do – just find the time to take more photos !
I have been shooting some stuff @ 2.8 and 1.8 because I have sort of sussed the background blur. Hopefully will work a treat this weekend – nipping across to Ireland for a christening and they will want lots of pics of the kids.
I will have a crack with the other end of the F range wandering round Dublin.
Cool – just watch your shutter speed at F16, if it gets below 1/50th, then up your ISO setting to get it faster