You’ll never get an opportunity to photograph on Greek Street in Leeds like we did this January. The UK was in lockdown and this end of Leeds had virtually nobody there. We had the place to ourselves.
Greek Street is one of the busiest bar areas of the city centre, bustling with people eating and drinking, weekdays and weekends, with tables out on the street in the summer months.
Scroll to the end to see all the shots “large” – or read on for the story 🙂
1 Middle of the street
I wanted to try shooting using my 24mm tilt Shift lens to get the background looking all very architectural, whilst Nicola was conventionally lit with 2 to flashes in the foreground. This was the not most creative (or easiest) technique I’ve ever done, because you have a totally static camera on the tripod. No ability to focus automatically, or zoom, so you really are just watching Nicola do her thing, and clicking the button now and then!
I did try three or four different tripod positions getting lower and closer with each iteration.
2 – Manhatta Bar Windows
I put the tripod away and put the 70 to 200mm lens on, which is pretty much my Standard fashion and portrait lens, and we found a black marbled building with great windows, called Manhatta bar. Behind this we also had lots of black marble on the Dakota Deluxe hotel. Double Marble… if that’s a thing.
Setting up a small softbox as of the front light and a gridded reflector as the rear light, we created loads of photos in this space.
3 – Big City Background
Next we moved a little bit away from the wall so we can see more of the street and buildings.
4 – Dakota Deluxe Garden
Dakota deluxe has an outdoor bar area which we used as a backdrop, it looks like you are in a green leaved garden! The backlight is pointing at the greenery because it’s very dark in there and just look like a black background without illumination.
5 – The Alchemist Steps
The final space was the steps up to The Alchemist bar steps and entrance.
This was metallic, the wall looks bronze, and very dark compared to the other spaces found. The light setup is very simple for this, the same small softbox I’ve been using all along at the front and the gridded reflector at the back, creating a spotlight with very little spread, so the background remains pretty dark.
We got loads of great shots at this point…. here are a few
And that was a wrap.
We created over 80 keepers from the shoot – which I think it a record for a McFade-Paparrazo shoot 😉 Or is that McPaparazzo!