A Stunning Yorkshire Dales Day – Ribblesdale and Malham

A 1-2-1 Workshop on a Perfect Yorkshire Dales Day

You always book workshops in the Yorkshire Dales with a sense of trepidation, and prepare yourself to explain what each location looks like “when it’s not grey, raining and grim”. No such worries for this 1-2-1 session with Jonathan – perfect weather for afternoon landscapes.

Perfect for me is a breezy day where sparse clouds pass in front of the sun making patches of light and dark. We got that in spades, so instead of starting at Gordale Scar, I decided to go to Winskill instead.

This is high above the Ribble Valley, a bit of a mecca for landscape photographers these days and has:-

  • fantastic views over the valley bottom
  • limestone pavements (small ones)
  • lots of interestingly shaped walls
  • a cattle grid
  • sheep pens
  • trees and bushes

So lots of elements to play with.

Winskill Photos

These show the changing light, shot with the 70-200mm, 90mm TSe and 16-35mm lenses.

From Winskill, we headed on towards Yorkshire Dales gem Malham Tarn, a lovely drive of a couple of miles – we stopped to capture a long straight on the road. It just reminded us of the shots of American desert roads, long straights. The clouds helped too of course


To the left, was a long wall which led to a farm and tree, so we got a shot of that.

Then changing lenses to the 16-35, I used the wall to lead the eye to a shadowy Pen Y Gent in the distance

Malham Tarn

Yorkshire’s second largest lake – of 3 apparently – is Malham Tarn, it’s a barren place with a cold, windy feel to it, and can be really dramatic with the right sky.

We got a decent sky alright, and really strong sun. This is where I showed Jonathan how to use the 10 stop filter. I use a Haida 10 stop – it’s a really thin screw in filter which allows me to add on top of it my Cokin Z-pro ND Grad system, without too much vignetting even at 16mm.

Anyway – here are a couple of shots with the 10-stop

This one is with the tripod almost in the water

This is further up the bank, so you don’t get too muddy!

Also around the Tarn we got some shots of rocks which were being lit by the low sun, and a couple passing by…

This as shot at F2.8 with the 70-200, just to do something a little different to most landscapes, where you’re getting everything sharp. You can still see the second rock and wall in the distance, but the main thing is the sharp foreground.

These 2 were just walking along to the lakeside – there was a decent sky – so got this at 70mm, then converted to black and white in Lightroom

Malham Rakes

It’s definitely the most photographed tree in the dales, maybe the UK or even the world!

But it is a great place to teach people who’ve never been – so I keep going back.

The sun was perfect as we walked across the field – low, bright, orange, it was going paint one side of the rocks a lovely warm tone…. We missed it by about 30 seconds. A bank of clouds engulfed the sun leaving the scene totally in the shade. Absolutely gutted and regretting eating that sandwich earlier, we kept going anyway.

Here’s proof that the light was amazing as we approached – this is looking down the valley from the tree we were going to shoot – but you can see the light.

The classic view, where the sun is to the right and should have been lighting the right sides of the rocks… alas it’d had gone.

This was my first tilt shift shot from here – so this is 2 landscape shots stithced together. The lower one got the rocks, the upper the tree and sky.

This is from the other side – with the sun on the left of the photo. I’ve used a bit of a coloured effect on the sky for a hint of warmth…

This is the shot above without any colouring – and a tripod leg

This photo is taken facing into the sky where the sun should be – you did get a bit of warmth in the sky. I’d got bored editing it though, so put it rhough Nik Ananlog EFEX and added a warm light flare to get the misty look!

This is the natural look from the usual side – again, tilt-shift lens creating a square shot with 2 landscape shots.

End of a perfect day

We ended at the rocks as the light had abandoned us, it really was a great day and the shots in this blog are just a few of the great variations the light gave us

Do you want a day out with McFade

If you want a similar day of learning in the Yorkshire Dales, we’re always delighted to take you out for a drive around our favourite locations.

During the day we can show you everything we do, give tips on everything from using your tripod to bracketing images for HDR. It’s definitely the best way to learn if you want to get to the next level with your photography.

Just drop us a line at training@mcfade.co.uk and we’ll organise a great 1/2 or full day out for you. 

Food Photography For Fire Lake, Radisson Blu Leeds

New Season – New Food Photography

With summer arriving, the menus at Radisson in Leeds change – so they needed new Food Photography to promote it. I was invited down to work with the new chef and Tom, the mixologist, to create a whole set.

The Food

The Fire Lake vibe is on the rustic edge, so we use some old wood and an old table for the Food Photography presentation. It gives that darker look too – so the bright, summer colours stand out.

The light setup is pretty intense – 4 flashes all around the table, makes for interesting viewing for the hotel guests as they walk past! It’s quite a performance!

I loved this blue/green plate – really made the fish dish appear delicious.

This tomato and cheese dish showcases several different tomatoes – using that black plate really makes them sing from the photo

Another angle on the first dish – to make the asparagus really stand out I got down to table level.

A delicious pork dish

On to a cocktail – we carried on using the wood background for a few. Love these little glasses of ice – you pick up the “cone” to sip the rum, the ice keeps it cold for you.

The brownies were amazing by the way

The colours were so intense on this desert.

It’s not a cigar, but a piece of cinnamon stick smouldering after Tom had set it alight. The top light catches it perfectly to make the plume stand out.

I always make these ultra close-up shots if the drink has decoration – like the lemon skin here.

For this we removed the back panel of wood – the background is now the open hotel bar. You can see that the ambient light doesn’t affect the photos – it’s all created with flash.

Tom uses patterned ice cubes – that’s attention to detail!

They really do present this cocktail on that piece of wood, with the glass closh on top of it! And it’s full of smoke too…. The lights in the background are above the bar

Ultra close up detail of a rum cocktail – I loved the detail on the orange slice.

Can we help with your Food Photography ?

Hopefully yes!

Please get in touch at info@mcfade.co.uk – and take a look at our food website

Leeds Food Photographer